If wild salmon could talk, they might sound like the silvery stars of the documentary The Breach, who speak plaintively in a soft, feminine voice with an Irish lilt. By the end of this documentary, intermittently shot from the point of view of powerful fish swimming in pristine streams and magnificent bays in the wilderness of Alaska, you’re practically in tears. The film follows the last great run of wild salmon on the planet, a force of nature scarily threatened by a Canadian mining conglomerate.
You’ve heard this story before. I thought I had. But Mark Titus, director, writer and main character of The Breach (along with the salmon themselves, and some native North Americans who have built a life and culture around the salmon fishery), weaves a tale so personal, immediate and affecting, it sweeps us up in the urgency of keeping these living creatures vital. The stakes are higher than a wood-grilled filet on a plate (as sublime as that can be). A renewable population of wild salmon is about the sustainability of diverse life on earth.
Water pollution, overfishing, destruction of spawning grounds and the pressure of human population created the breach referred to in the title of the movie. The wild female salmon promise to return from the ocean to the rivers and streams where they spawned to lay the next generation of eggs in exchange for the protection of their habitat. Guess what? Humans have reneged on their part of the bargain.
Wild salmon have gone extinct in Europe. Not a single river is clean or unobstructed enough to support them. Now the cold northern seas around Scotland, Ireland and Norway produce only cultured salmon on an industrial scale in polluting, ocean-depleting farms, a practice that has wiped out wild breeds by infecting them with sea lice. Overfishing in Russia and Greenland is finishing off the rest of the Atlantic salmon.
Film maker Titus, childhood fisherman, professional fishing guide and former acting student at the University of Oregon, grew alarmed by the dwindling of his beloved Pacific salmon and their diminishing size. He spent four years writing, directing and producing The Breach. From the mystical opening shot–a sole fisherman in a small motor boat on a vast, uninhabited bay at sunrise–you recognize that The Breach has been a labor of love and a sophisticated seduction. Rich in invention– graphics, maps, historical photos, interviews and particularly, original music–the film lays out the whole heartbreaking story. Atlantic salmon runs on the east coast, gone; California runs severely threatened by drought, agricultural runoff and dams; the fish diminishing year by year in Oregon and Washington because of dams, pollution, the same old story. Only Bristol Bay, isolated in the inhospitable northern reaches of Alaska, is still rife with fish. There, the wild rivers, untouched spawning grounds and native North American subsistence fishers are holding up their part of the bargain.
In that opening sequence, Titus hooks you on the mystery of fishing. He watches a line as it disappears in the water in the dawn wilderness, not knowing what’s down there or what will happen, until the thrilling tug, the cruel fight and the landing of the exquisite prize, a single, shining, muscular fish big enough to feed a family for a week.
The documentary raises the questions: can we draw a line, take a stand, retreat from capitalist onslaught and the unrelenting hunger of an overpopulated world in order to protect what’s left of the wild?
The wild salmon who star in The Breach answer: we hope so.
To see the movie go to http://www.thebreachfilm.com/watch-now/?mc_cid=7c3da3c9bf&mc_eid=8caa2d2f25